Nuremberg: Vanderbilt’s Political Mirror
The new movie Nuremberg attempts to convey the same message, albeit through a more character and relationship-driven lens. The overall theme, though, remains the same: Nazi’s aren’t some abstract villain–they are real, and they are human.
No Time to Die: End of an Era
No Time to Die, James Bond's latest and Daniel Craig's last movie, starts with a phantom appearing out of the cold. It's there, in the window of a snow-covered cottage, then it's gone. The scene feels too picturesque to interrupt; we almost want to believe it was just a coincidence of the swirling snow. But a masked man appears at the window of a snow-covered cottage, and it’s undeniable. With tension building, a young Madeleine Swann tries to avoid an unseen killer. The scene closes with three ringing shots, but they come from Swann. It’s a tragic fate averted and innocence stolen. A satisfying arc for a Bond opening. But it's not actually over. What we see next is another reversal: a villain who saves an innocent life.