Morbius: It's Morbin' Time
Morbius, released in April 2022 and starring Jared Leto as the titular character, has been the subject of many viral Twitter threads…if only because it somehow became a meme completely unrelated to the plot of the movie itself. To be completely honest, I don’t remember watching most of the movie. In fact, I fell asleep multiple times, including towards the very end. So, this review will consist primarily of the little I still remember, why I fell asleep, and why its main character has become a highly successful meme.
The film starts off with Dr. Michael Morbius attempting to explore a forbidden cave full of bats. Then, we flashback to his youth, revealing his rare blood disease and history of living in a home with other severely ill children. We also learn that his childhood friend Lucien Crown/Milo (Matt Smith), in an encounter with the neighborhood kids, was brutally beaten after attempting to defend himself. In the present day, Morbius has cured his own disease and become a vampire. His old friend discovers the secret, undergoes the transformation, and goes on a murderous rampage. Morbius defeats him by summoning an army of bats (an ability I am not sure how he developed last-minute). He also accidentally turns his accomplice Martine Bancroft (Adria Arjona) into a vampire.
This is literally all I was awake to see. Why, you might ask? Two reasons. One: I had just eaten. Two: the film was a symphony of well-played notes organized in the wrong order with inappropriate plot points (e.g. Morbius’s random powerup) and an abrupt ending. Morbius runs away from the final battlefield after his forementioned powerup…and it literally ends there. Contrary to what we might have assumed from the trailer, the end-credit scenes show us that this story is also not explicitly connected to our main universe, Earth-266. However, we aren’t given concrete answers as to which universe this is and why Vulcan (Michael Keaton) was transported there following the events of No Way Home. That leaves us with one question: why is this movie still trending?
The answer is simple. The movie sucks so much in the midst of our other well-written and directed superhero films that it is simply astonishing. So astonishing in fact that those who have suffered through this sleep-inducing experience have decided to troll those who still think it could be a good movie. Even Jared Leto himself has joined the party.
With that being said, all this buzz is undoubtedly making people actually watch it. Needless to say, future viewers will most-likely leave the experience feeling betrayed by their fellow fans who gaslit them into thinking the film is a masterpiece. And, as disappointing as this movie is, the simple fact that so many people are buzzing about it may be sufficient enough for another film to be created - which would evidently breed more memes. Of course, only time will tell
Morbius is now streaming on Apple TV and Amazon Prime Video.
Popular Reviews
Project Hail Mary is an adaptation of Andy Weir’s 2021 novel of the same name. It follows science teacher Ryland Grace (Ryan Gosling) after he wakes up on a spaceship with no memory of how he got there. As his memory returns, he also gains an unlikely friendship in Rocky the Eridian alien. The acting is great, the screenplay is charming and full of heart, and the visuals are striking.
If you asked most people a few years ago who was “winning” indie horror, the answer would've been obvious: A24, of course. But between 2021 and now, something shifted. Not all at once and not always clearly, but deliberately. While A24 horror started to feel scattered, Neon built something more strategic.
What’s interesting is that Neon didn’t start with a clear horror identity at all. It was built over time, and I track that evolution in three distinct pseudo-phases: pre-Titane, post-Titane, and post-Longlegs. Each phase had a different strategy. First it was discovering talent, then experimenting with identity, and finally scaling into something that looks a lot like dominance.
Last year marked the fiftieth anniversary of the death of one of the most important filmmakers of all time. In early November 1975, Pier Paolo Pasolini was murdered. Perhaps the killing was carried out by the militant right-wing group Banda della Magliana–or maybe by an overzealous fan. The case remains open in Rome after the original suspect retracted his confession more than twenty years ago.
I undertake to rank all twelve of Pasolini’s feature films. Of course, the scope of his oeuvre extends beyond these; I recommend in particular his street documentary Love Meetings and his excellent meta short film La Ricotta.
Emerald Fennell said as much herself: "The thing for me is that you can't adapt a book as dense and complicated and difficult as this book. I can't say I'm making ‘Wuthering Heights.’ It's not possible. What I can say is I'm making a version of it." She put the title in quotation marks intentionally, providing a disclaimer that this film is not the classic text. Every adaptation imposes a vision, turning the source material into something else.
Even the most devoted cinephiles rarely tune in to the nominees for the Academy Award for Best Documentary Short. Most film buffs, myself included, don’t make it to the short film programs or indie showcases where these films typically screen, and many of them quickly disappear into obscurity after their premieres. Perhaps because of this invisibility, documentary shorts have the potential to carry some of the sharpest political messages in today’s cinema. This year’s nominees certainly exemplify this potential, covering urgent topics like gun violence, war, protest, reproductive rights, and, um, wandering donkeys. Despite their small audiences, these films deserve a closer look. They are brimming with provocative voices, even if this year’s particular batch sometimes fails to stick the landing.
More in Comic Book Reviews
This might be one of the darkest Marvel films we have seen so far. We always knew that the First Lady of the Avengers, Natasha Romanov AKA Black Widow (Scarlett Johansson), had a tragic backstory. It is an entirely different experience watching it on screen.
Shang-Chi and the Legend of the Ten Rings stars Simu Liu as the titular character, renowned in the comics for his martial arts abilities. Starring alongside him are Awkwafina as Katy and Chinese actress Meng’er Zhang as Shang-Chi's younger sister Xialing. The film is a lesson on reconciliation and accountability. The story highlights that forgiveness and reconnection are possible following a rift.
As we all remember, the year 2020 was an era of tremendous chaos and great tragedy. One such tragedy was the death of the great Chadwick Bosemon, who previously starred as the lead of Black Panther, T'challa, aka the Black Panther. The second film in this series, Black Panther: Wakanda Forever, as much as it is a blockbuster, is a memorial to the late Chadwick Boseman. This sentiment echoes throughout the entire movie, and we feel his presence from beginning to end.
Every now and then, there comes a certain kind of movie. A movie that makes you laugh, that makes you cry, and that makes you shake with excitement, enjoyment, and fear. Most of us love that movie, when it comes along. Unfortunately for my audience, this is not the movie I will be reviewing.
I watched Multiverse of Madness, also called MoM by some fans, with great excitement, only to be let down in many interesting ways. But, nevertheless, the film drastically shifted the trajectory of the MCU and is vital regardless of its divided reception.
Morbius, released in April 2022 and starring Jared Leto as the titular character, has been the subject of many viral Twitter threads…if only because it somehow became a meme completely unrelated to the plot of the movie itself. To be completely honest, I don’t remember watching most of the movie. In fact, I fell asleep multiple times, including towards the very end. So, this review will consist primarily of the little I still remember, why I fell asleep, and why its main character has become a highly successful meme.
One may be asking, why do we need another Batman movie if The Nolan Trilogy, especially The Dark Knight, still holds up? Well, we certainly did not need this movie, but I, for one, am thankful that we got it! Matt Reeves’ The Batman is a dark, suspenseful reimagining of the classic Batman storyline that features new interpretations of characters like Catwoman (Zoë Kravitz), The Penguin (Colin Farell), and The Riddler (Paul Dano).
This is the moment we’ve all been waiting for. It's the final Marvel premiere of the year 2021. And most of all, it's the conclusion of the Marvel Cinematic Universe’s Spider-Man trilogy. No Way Home has become one of the greatest films that both Marvel and Sony have ever released - but I have got to admit, given the long, complicated history of Spider-Man films, it would have been very difficult for it to turn out any other way.
Long ago, in an unknown dimension, Marvel Studios decided to make a film about characters most of us have never even heard of. Behold, the Eternals — an elite team of ancient, all-powerful immortals who hail from the godly world of Olympia, now on a mission to make the planet Earth a better place… or so we thought.
When my roommates told me they wanted our next viewing project to be an animated superhero show, I was ... hesitant. An adult cartoon? Those aren’t really my thing. Eventually I gave in because, after all, I had forced them to watch Survivor with me.
WandaVision, starring Elizabeth Olsen and Paul Bettany, concludes with a dramatic ending, inducing surprise, joy, grief, and for some eager fans, disappointment. The 9-episode Disney+ series combines sci-fi, drama, comedy, fantasy, mystery and of course, action. Its weekly serialized format makes room for eager Marvel geeks around the world to take to the internet to predict what comes next for the show that starts in a very confusing, open-ended way.