Last year marked the fiftieth anniversary of the death of one of the most important filmmakers of all time. In early November 1975, Pier Paolo Pasolini was murdered. Perhaps the killing was carried out by the militant right-wing group Banda della Magliana–or maybe by an overzealous fan. The case remains open in Rome after the original suspect retracted his confession more than twenty years ago. 

I undertake to rank all twelve of Pasolini’s feature films. Of course, the scope of his oeuvre extends beyond these; I recommend in particular his street documentary Love Meetings and his excellent meta short film La Ricotta.