Lyle Lyle The … Sexualized Crocodile?
From the first release of promotional materials, it was already unclear what the target audience would be for Lyle, Lyle, Crocodile. Based on the beloved children’s book, the film seemed to want to bring in too many people at once: adults with an affinity for big name actors like Javier Bardem, musical theater folks with an affinity for Benj Pasek and Justin Paul, kids with an affinity for CGI-ed crocodiles, and … the one person out there who thought the crocodile should be voiced by Shawn Mendes?
The Bad Guys Was … Not That Bad
If you look at my track record of Moviegoer reviews, it should come as no surprise that I have been thrilled by the recent uptick in animated content across film and TV. Largely due to the COVID pandemic, studios and networks have begun investing in more animation projects due to their ability to be produced from home - and I certainly hope that the trend is here to stay! Not only because it means I might have more job options when I graduate (see, Penn? It’s possible to get a job that isn’t in consulting!), but because to me, there is nothing more joyous than watching an animated, family-friendly movie with everyone I love.
Pixar’s Turning Red: The Antidote Against Everything That’s Wrong In Hollywood
When I began learning more about the film industry in high school, I was surprised to learn that an artistic field–something I assumed would be stereotypically associated with women–was in fact dominated by white men. I remember reading about the hurdles that female screenwriters, directors, and producers faced to be given seats at the table, and being shocked that they had to overcome so much just to have their voices heard.
The Proud Family: Louder and Prouder — A Premiere for the Books!
I’ll begin my review with the major caveat that I rarely, if ever, watched the original The Proud Family on Disney Channel. I was certainly too young to watch the first run of the show (I’m a baby, I know), and if I caught any later reruns, it was simply while flipping through channels. With that said, it didn’t curb my excitement when I received an invite to the virtual premiere of the new Disney+ revival, The Proud Family: Louder and Prouder. After all, who wouldn’t be excited to go to the premiere of a reboot of one of the most well-loved animated shows on Disney Channel? The event promised the showing of not just one but two episodes, and additional perks beyond the episodic content.
Maya and the Three Offers Stunning Visuals But a Confusing Story
When I heard that Netflix was releasing an animated adventure series by Jorge Gutierrez, co-writer and director of Golden Globe-nominated movie The Book of Life, I thought it was destined to be a smashing success. Featuring an exciting story about a Mesoamerican warrior princess, and boasting a cast of some of the most famous Latino actors of our time, I couldn’t wait to see what this monumental animator had created.
Netflix’s Vivo boasts a big name with few redeeming qualities
When I heard about Netflix and Sony Animation’s Vivo, I couldn’t wait to soak up more. The promise of music by Lin-Manuel Miranda added to my excitement. The film centers around adorable kinkajou Vivo (Don’t know what a kinkajou is? Turns out it’s a relative of the raccoon) who has grown up under the care of a kindhearted musician named Andrés. The two walk the streets of Havana, performing their music for all who will listen. When Andrés reveals that he never got to profess his love to his old music partner, Marta Sandoval, Vivo embarks on a journey to Miami with Andrés’ niece, Gabi, to deliver one last love song to Marta before her retirement concert.
Invincible: A Shocking New Take on the Classic Superhero Story
When my roommates told me they wanted our next viewing project to be an animated superhero show, I was ... hesitant. An adult cartoon? Those aren’t really my thing. Eventually I gave in because, after all, I had forced them to watch Survivor with me.
Raya and the Last Dragon
Cultures throughout human history have been able to unite around a simple fact: Dragons. Are. Awesome. Raya and the Last Dragon takes inspiration from Southeast Asian culture to tell the story of Raya, a battle-hardened princess fighting to unite the divided land of Kumandra. The movie is Walt Disney Animation’s first original feature film since Moana in 2016.
Big Mouth Season 4 Review
I’m convinced Big Mouth is written by hyper-self-aware 13 year olds. It’s unapologetic in portraying some of the most embarrassing parts of growing up and its characters feel like honest middle schoolers — “I don’t like movies. I prefer watching YouTube 2 inches from my face,” says Nick. Over its four-season run, the Netflix animated series has perfectly captured the woes and wonders of puberty through inventive storylines and a signature raunchy humor that only preteens (and me, and all the reviewers who’ve given three seasons a perfect 100% on Rotten Tomatoes, and probably you) find funny. In season 4, each of Big Mouth’s flawed and lovable tweens work on forging their identities as adolescents, a struggle all of us can empathize with.
